A Waterman All His Life– part 7 of “The Shrimp Capital of the World”

This is Benjamin Howard Day, Capt. Leslie Day’s father, with his hand on the wheel of the shrimp trawler Empress in the fall of 1938. You can't see them in Charles Farrell's photograph, but his son and the mate are wrestling the trawl aboard on the other side of the boat. The three men made up the crew of the Empress while she was shrimping in Southport.

“The Shrimp Capital of the World”– Charles Farrell’s Photographs of Southport, N.C., 1938

In today’s post I'm introducing a 10-part series looking at Charles A. Farrell’s historical photographs of shrimpers and shrimp house workers in Southport, a village at the mouth of the Cape Fear River, in Brunswick County, N.C. As a local woman named Leila Pigott told me years ago,  “Southport used to be known as the shrimp capital of the world.”

At the U.S. Holocaust Memorial Museum

In its thoughtful and deeply troubling new exhibit “Americans and the Holocaust,” the U.S. Holocaust Memorial Museum highlights Sen. Robert Reynolds of North Carolina because in 1939 he led a senate fight that prevented the U.S. from rescuing 20,000 Jewish children from the Nazis. At the time, Reynolds said that he did not want the Jewish children to come to America and take our jobs.

Portrait of a Rebel

John H. Scott was a free African American saddle and harness maker in Fayetteville, N.C. until 1856, when he left the town and settled in Oberlin, Ohio. Two years later, he became famous for taking up arms and liberating a fugitive slave that federal marshals had captured in Oberlin and were planning on returning to slavery.

Richard Ansdell’s “The Hunted Slaves”

A painting called "The Hunted Slaves" is another of the treasures at the National Museum of African American History & Culture in Washington, DC, that speaks to North Carolina's coastal history.  Done in Liverpool, England, in 1862, Richard Ansdell's oil painting depicts a pair of fugitive slaves defending themselves against a slave catcher's dogs in the Great Dismal Swamp....

Free the Wilmington 10

Some of the National Museum of African American History & Culture's artifacts are very small but hold a lot of meaning. This little pinback button is a good example. The button highlights another important moment in the civil rights movement on the North Carolina coast-- the campaign to free the Wilmington 10.

Dr. Hubert Eaton’s Tennis Court

As I continue my look at the treasures at the National Museum of African American History & Culture, the second item I want to discuss is another photograph: a photograph of the backyard and tennis court at 1406 Orange Street in Wilmington, N.C. where Dr. Hubert Eaton oversaw the training of Althea Gibson, one of the greatest women's tennis players of all time.

At the National Museum of African American History & Culture

As my way of celebrating Black History Month this year, I'm going to feature stories about nine artifacts at the National Museum of African American History and Culture that speak to North Carolina's coastal history, beginning with this photograph of Golden Frinks and an amazing young woman from Williamston at the March on Washington.

The Allen Parker Slave Narrative Project

Allen Parker’s Recollections of Slavery Times is one of the most important historical accounts of slavery and antebellum life on the North Carolina coast. Today, as we approach its 125th anniversary, I want to talk about Parker, Recollections and a special group of students that I taught when I was a visiting professor at East Carolina University in Greenville, N.C.

The Norwegian, Swedish & Dutch Fishermen of Beaufort, N.C.

In this photograph (above), we see the blackfish boat Margaret at an unidentified port probably in southern New Jersey in 1934. Standing in the bow is Capt. Einar Neilsen, a Norwegian immigrant. Capt. Neilsen was part of a largely forgotten enclave of Norwegian, Swedish and Dutch blackfish fishermen and their families that left New Jersey and made their homes in Beaufort, N.C., beginning in the 1910s.

Working in the Logwoods: Photographs from Coastal North Carolina

I must have heard that phrase a million times when I was younger:  “we were working in the logwoods.” Old men would say it again and again when they remembered their younger days on the North Carolina coast. They talked plenty about farming and fishing and raising families, but they talked just as much about “working in the logwoods.”

From Harkers Island to Rockyhock– More Photographs from the National Fisherman

The Penobscot Marine Museum in Searsport, Maine, has recently made available more than 20,000 photographs of America's commercial fishing industry that originally appeared in the pages of National Fisherman. Last week I highlighted several of the magazine's photos from Beaufort, N.C., in the 1930s and '40s. Today I want to share photographs that take us to Hatteras, Buxton, Harkers Island, Wanchese, Belhaven, Rockyhock and several other parts of the North Carolina coast.

Photographs from the National Fisherman

The Penobscot Marine Museum in Searsport, Maine, has recently made available for the first time more than 20,000 historical photographs from America's fishing communities, including those here on the North Carolina coast. It is an extraordinary collection: the photographs from every issue of the National Fisherman, the leading trade journal of the commercial fishing industry.