The Color of Water, part 7– From Ocean City to Rainbow Beach

This is part 7 of my special series called “The Color of Water.” In this series, I’m exploring the history of Jim Crow and North Carolina’s coastal waters, including the state’s forgotten history of all-white beaches, “Sundown towns,” and racially exclusive resort communities. Today-- African American and Indian beaches.

The Color of Water, part 6– Juke Joints, Clam Fritters & Bop City

As I explored the history of Jim Crow on North Carolina’s coast, I discovered something else important: black and Indian people often found a way to the sea and our other coastal waters, despite “sundown towns,” despite signs that read “No N--- after dark” and despite oceanfront resorts that didn’t allow them to go swimming or walk on the beach.

The Color of Water, part 5– Jim Crow from Nags Head to Wrightsville Beach

The story of Jim Crow and the North Carolina coast also extends to the state’s most popular beaches and beachfront communities. During the Jim Crow era, those popular vacation destinations barred black families from swimming in their waters, staying in their motels, buying cottages or in many cases even walking on their beaches.

The Color of Water, part 4– The Sign by the Old Ferry Landing

This is the fourth post in my special series “The Color of Water.” In this series, I am exploring  the history of Jim Crow and North Carolina’s coastal waters, including the state’s forgotten history of all-white beaches, “sundown towns” and racially exclusive resort communities. You can find the other stories in the series here. After … Continue reading The Color of Water, part 4– The Sign by the Old Ferry Landing

The Color of Water, part 3: Knotts Island– “No Place for Negroes”

This is the third post in my special series “The Color of Water.” In this series, I am exploring  the history of Jim Crow and North Carolina’s coastal waters, including the state’s forgotten history of all-white beaches, “Sundown towns” and racially exclusive resort communities. You can find the other stories in the series here.

The Town Where Moby-Dick Began

On yet another trip to New Bedford, Mass., I crossed the Fish Island Bridge and explored Fairhaven. It’s a lovely town, with broad, shady avenues and a long row of shipyards and fishing wharves along the Acushnet River. In 1841 Herman Melville sailed from the old seaport on the whale ship Acushnet. He later drew on his experiences during that voyage to write his masterpiece Moby-Dick. 

Arthur Miller’s War, Part 7– “Looking for a better day”

Before young Arthur Miller left Wilmington in November 1941 and returned to the Library of Congress, he did one last group of’ recordings. At the town’s African American Odd Fellows Hall, he visited with a large group of African American women who were in the midst of a lengthy strike at the Southland Manufacturing Company, a textile plant that made men’s dress shirts.

Arthur Miller’s War, Part 4– “Worse than Hoover time”

This is the 4th post in a 7-part series on the great American playwright Arthur Miller's sojourn in Wilmington, N.C. during the Second World War. When they were in Wilmington in 1941, Arthur Miller and his audio specialist, Johnny Langenegger, also just drove around the city looking for scenes and moments and stories that captured the … Continue reading Arthur Miller’s War, Part 4– “Worse than Hoover time”

Arthur Miller’s War, Part 2– “A shipyard has risen like a bony giant”

“The scene is a row of trailers,” Arthur Miller intoned in the first words of the field recordings. When I first turned on the old reel-to-reel recorder at the American Folklife Center at the Library of Congress, I found the young playwright standing in a vast trailer camp that had been built in a maddening rush only a few months earlier.

Arthur Miller’s War, Part 1- “Get Wilmington, North Carolina, into that Sound Truck!”

Today I am remembering a visit to the American Folklife Center at the Library of Congress in Washington, DC. The center is located on a quiet hallway a floor below the great library’s main reading room and contains vast collections of oral histories, music and other audio recordings. You can hear Mississippi sharecroppers singing the blues there. You can hear Polish immigrants playing polkas. You can hear Navajo sacred songs. I was there to listen to audio recordings that the playwright Arthur Miller made on the North Carolina coast in the fall of 1941. 

Remembering Portsmouth Island

Today I am remembering a visit to the Outer Banks History Center on Ice Plant Island, which is part of the little town of Manteo, North Carolina. The OBHC is a relatively small branch of the State Archives of North Carolina, but it is home to a unique collection of books, manuscripts, and photographs that focus on the history of the Outer Banks and the coastal counties along the eastern end of Albemarle Sound.