A painting called "The Hunted Slaves" is another of the treasures at the National Museum of African American History & Culture in Washington, DC, that speaks to North Carolina's coastal history. Done in Liverpool, England, in 1862, Richard Ansdell's oil painting depicts a pair of fugitive slaves defending themselves against a slave catcher's dogs in the Great Dismal Swamp....
As I look through the historical collections at the National Museum of African American History and Culture, I also found another important artifact from eastern North Carolina: a postcard, dated ca. 1910, of a convict labor camp in Laurinburg, N.C.
Today I'm looking at another artifact from the National Museum of African American History and Culture that has a connection to the North Carolina coast: a first edition of a book called The Conjure Woman, a collection of short stories by African American writer, lawyer and activist Charles W. Chesnutt.
Some of the National Museum of African American History & Culture's artifacts are very small but hold a lot of meaning. This little pinback button is a good example. The button highlights another important moment in the civil rights movement on the North Carolina coast-- the campaign to free the Wilmington 10.
The sit-ins in New Bern began on March 17, 1960. Led by the Rev. Willie Hickman and the Rev. Leon "Buckshot" Nixon, a group of 29 African Americans, mainly high school students, came in the front doors of two downtown businesses, the Kress Department Store and Bob Clark's Drug Store, and sat down at the lunch counters.
As I continue my look at the treasures at the National Museum of African American History & Culture, the second item I want to discuss is another photograph: a photograph of the backyard and tennis court at 1406 Orange Street in Wilmington, N.C. where Dr. Hubert Eaton oversaw the training of Althea Gibson, one of the greatest women's tennis players of all time.
As my way of celebrating Black History Month this year, I'm going to feature stories about nine artifacts at the National Museum of African American History and Culture that speak to North Carolina's coastal history, beginning with this photograph of Golden Frinks and an amazing young woman from Williamston at the March on Washington.
Allen Parker’s Recollections of Slavery Times is one of the most important historical accounts of slavery and antebellum life on the North Carolina coast. Today, as we approach its 125th anniversary, I want to talk about Parker, Recollections and a special group of students that I taught when I was a visiting professor at East Carolina University in Greenville, N.C.
I wrote this piece 22 years ago when my children were little. It seems a little dated today in some ways, but not in the most important ways, and I thought it might make a nice gift for today-- reading it now certainly reminds me of how much I have to be thankful for. Happy Thanksgiving!
In this photograph (above), we see the blackfish boat Margaret at an unidentified port probably in southern New Jersey in 1934. Standing in the bow is Capt. Einar Neilsen, a Norwegian immigrant. Capt. Neilsen was part of a largely forgotten enclave of Norwegian, Swedish and Dutch blackfish fishermen and their families that left New Jersey and made their homes in Beaufort, N.C., beginning in the 1910s.
I must have heard that phrase a million times when I was younger: “we were working in the logwoods.” Old men would say it again and again when they remembered their younger days on the North Carolina coast. They talked plenty about farming and fishing and raising families, but they talked just as much about “working in the logwoods.”
The Penobscot Marine Museum in Searsport, Maine, has recently made available more than 20,000 photographs of America's commercial fishing industry that originally appeared in the pages of National Fisherman. Last week I highlighted several of the magazine's photos from Beaufort, N.C., in the 1930s and '40s. Today I want to share photographs that take us to Hatteras, Buxton, Harkers Island, Wanchese, Belhaven, Rockyhock and several other parts of the North Carolina coast.
The Penobscot Marine Museum in Searsport, Maine, has recently made available for the first time more than 20,000 historical photographs from America's fishing communities, including those here on the North Carolina coast. It is an extraordinary collection: the photographs from every issue of the National Fisherman, the leading trade journal of the commercial fishing industry.
This is a single story from the life of a woman named Chloe that was held in slavery at Indian Ridge in Currituck County, N.C., in the first half of the 1800s. It is only one brief moment in her life, but it is the only one that history has recorded. The passage, though brief, says a great deal about her and about the lives of other enslaved women on the North Carolina coast.
The most exciting historical source I found in coastal Maine this week was an old tintype portrait of an African American man named John H. Nichols who escaped from slavery on the North Carolina coast and settled in Lewiston, Maine, after the Civil War. In a 1921 issue of the Lewiston Journal Illustrated Magazine, I also found the life story of John H. Nichols....
On the other side of Union River Bay, just west of where I am staying on Mount Desert Island, in a village called Blue Hill, the menhaden oil and scrap industry was born, if one can say it was born anywhere.
On our drive to Down East Maine a few days ago, we stopped and took a hike at the Lobster Cove Meadow Preserve in Boothbay Harbor. After walking a little ways down the trail through the lovely fall colors, we soon arrived at Appalachee Pond. To my surprise, there we got a glimpse at another historical connection between the Maine coast and the North Carolina coast: the ice trade.
Another documentary film that really excites me is called “Farewell Ferris Wheel.” Written and directed by Jamie Sisley and my sister Elaine’s incredibly talented nephew, Miguel ‘M.i.G.” Martinez, it’s the story of the Mexican workers that legally come to the U.S. for 8 months every year under special temporary visas to work in the traveling carnival and fair industry.
While exploring coastal Maine's archives and museums this week, I’ve also found quite a few letters from Maine soldiers that served in the Union army or navy on the North Carolina coast during the Civil War. Those letters highlight a different kind of historic connection that ties coastal Maine and coastal North Carolina together.
A second connection between Maine’s shipyards and the North Carolina coast is grimmer: quite a few ships built in Maine came to their end in the waters off the North Carolina coast-- "The Graveyard of the Atlantic."
This week I’m in Down East Maine. It’s a beautiful part of the world and I’m not really here to do historical research. All the same, I am visiting some local maritime museums and historical societies and I am curious to learn if this far corner of the New England coastline has historic ties to the coastal world where I grew up in North Carolina.
Tonight I watched a powerful documentary on an important but little known chapter in North Carolina’s history: the 1978 sanitation workers strike in Rocky Mount. In a generous-hearted, thoughtful and sincere way, the sanitation workers tell their own story in this public access TV documentary that deserves a much wider showing.
A few years ago Ocracoke natives Philip Howard and his cousin Blanche Howard Jolliff gave me a typewritten manuscript of one woman’s account of the great 1899 hurricane on Ocracoke Island. The woman's name was Irla Bonner Litchfield Ticknor and she was 19 years old when that devastating hurricane swept across the North Carolina coast.
Linda Garey, a teacher I met some years ago, recently sent me copies of some remarkable historical images of North Carolina lighthouses and lightships that were taken in and around 1899. They are from her great-grandfather Rear Admiral Albert Ross’s extraordinary collection of magic lantern glass slides that he made while serving in the U.S. Navy.
This is a portrait of an African American fisherman and saltwater farmer named Proctor Davis. He was born a slave on Davis Island, in the Down East part of Carteret County, N.C., ca. 1839. He escaped from slavery during the Civil War, but he and his family returned after the war and made a new home at Davis Ridge, a marshy hammock just north of Davis Island.