Portrait of a Rebel

John H. Scott was a free African American saddle and harness maker in Fayetteville, N.C. until 1856, when he left the town and settled in Oberlin, Ohio. Two years later, he became famous for taking up arms and liberating a fugitive slave that federal marshals had captured in Oberlin and were planning on returning to slavery.

Richard Ansdell’s “The Hunted Slaves”

A painting called "The Hunted Slaves" is another of the treasures at the National Museum of African American History & Culture in Washington, DC, that speaks to North Carolina's coastal history.  Done in Liverpool, England, in 1862, Richard Ansdell's oil painting depicts a pair of fugitive slaves defending themselves against a slave catcher's dogs in the Great Dismal Swamp....

Free the Wilmington 10

Some of the National Museum of African American History & Culture's artifacts are very small but hold a lot of meaning. This little pinback button is a good example. The button highlights another important moment in the civil rights movement on the North Carolina coast-- the campaign to free the Wilmington 10.

Dr. Hubert Eaton’s Tennis Court

As I continue my look at the treasures at the National Museum of African American History & Culture, the second item I want to discuss is another photograph: a photograph of the backyard and tennis court at 1406 Orange Street in Wilmington, N.C. where Dr. Hubert Eaton oversaw the training of Althea Gibson, one of the greatest women's tennis players of all time.

At the National Museum of African American History & Culture

As my way of celebrating Black History Month this year, I'm going to feature stories about nine artifacts at the National Museum of African American History and Culture that speak to North Carolina's coastal history, beginning with this photograph of Golden Frinks and an amazing young woman from Williamston at the March on Washington.