In the 1870s and ‘80s, a group of ex-slaves called the Wilmington Jubilee Singers traveled throughout Great Britain, giving concerts in which they sang hymns and spirituals in a close harmony style, either a cappella or accompanied only by a pianist.
A painting called "The Hunted Slaves" is another of the treasures at the National Museum of African American History & Culture in Washington, DC, that speaks to North Carolina's coastal history. Done in Liverpool, England, in 1862, Richard Ansdell's oil painting depicts a pair of fugitive slaves defending themselves against a slave catcher's dogs in the Great Dismal Swamp....
I recently found an historical account that I think might be the best description of tar making in North Carolina that I have ever read. An English merchant named Holles Bull Way wrote it in his travel diary when he visited coastal North Carolina in 1792. He did not publish those excerpts from his diary until 1809, though, when the article that I found appeared in the Journal of Natural Philosophy, Chemistry and the Arts, Great Britain's first monthly scientific journal.
A curator at the Gallery Oldham, a museum in Oldham, England, sent me this portrait a few days ago. A local gentleman named William Thorpe apparently took the photograph in the late 1860s or 1870s. The unidentified object in the sitter’s lap resembles, and may have been, an iron slave collar.
When I was using the British Newspaper Archive (BNA), I also did several general searches to see how the British press covered my home state of North Carolina in the 18th and 19th centuries. I was interested in what the British public saw when they looked across the Atlantic at us.
I discovered the Wilmington Jubilee Singers while I was exploring old newspapers in the British Newspaper Archive (BNA). The BNA is an invaluable on-line resource that is making available (for a small fee) digital copies of the historical newspapers preserved at the British Library in London. The British Library holds the largest collection of British newspapers … Continue reading The Wilmington Jubilee Singers
An exhibit on local connections to slavery at the Oldham Metropolitan Borough Council Archives in Oldham, England, has brought to light an American slave narrative previously unknown in the United States. Titled The Life of the Late James Johnson (Colored Evangelist), an Escaped Slave from the Southern States of America, the pamphlet chronicles Johnson’s youth in Brunswick County, North Carolina, his escape to a Union vessel during the Civil War, his passage to Liverpool as a sailor and a sobering, if picaresque, journey through England and Wales.