At the Connecticut Historical Society, I continued to read Susan Johnson’s diary from her visit to the North Carolina coast in 1800 and 1801. Today, in part 3, I'm looking at her visit with Aaron Burr's aunt Eunice in New Bern.
After leaving her home in Stratford, Conn., Susan Johnson arrived in Suffolk, Va., on the 22ndof November, 1800. The next morning, she re-boarded the stagecoach and headed south into North Carolina for the first time.
Last spring I visited the Connecticut Historical Society when I passed through Hartford, Conn. I was headed to my niece’s home in New Haven, but I couldn’t resist stopping for a few hours: the Society’s holdings include an extraordinary collection of early American historical manuscripts and I wanted to see if any of them might shed new light on coastal North Carolina.... I was only there for a day, but I found a real treasure that I would love to share here— a remarkable diary that was kept by a Connecticut woman when she stayed in coastal North Carolina in the very first decades after the American Revolution.
A fish market crowded with fishermen, fish buyers and fishmongers at the bottom of Middle Street, on the Trent River waterfront, New Bern, N.C., circa 1905. A pair of fishermen in a sail skiff are culling their catch, while a boy, obscured by an older man, probably his father or an uncle, poles what is probably a log-built skiff around them.
A memory. I am at Mystic Seaport in Mystic, Connecticut. It’s one of my favorite museums: 17 acres of maritime exhibits, historic boats, nautical trade shops, a planetarium, a working shipyard and wharves lined with the country’s largest collection of 19th-century sailing vessels.
As impressive as I found Yale’s Beinecke Library, which is a modern, architectural wonder (more on that visit later), I found myself far more excited by the Whitney Library at the New Haven Museum. Maybe I just succumbed to nostalgia. Founded in 1862 and located next to Yale, the Whitney has spectacular collections on New Haven’s history but has made few concessions to modernity.