Now, only a century later, those who study sharks-- as with so much of the world's fauna-- seem to spend most of their time like me, a historian: chronicling extinctions and warning of coming extinctions, as if Russell Coles' lust for conquering nature had spread throughout the world.
Every summer shark hunter Russell Coles took the train to Morehead City, and the first thing he always did when he arrived at the depot was meet Capt. Charlie W. Willis in the Promise Land.
A few years ago, a gentleman in Virginia, Walter Coles, Sr., invited my daughter Vera and me to visit his family’s private library of research materials related to his uncle, a world-renowned shark hunter named Russell J. Coles who did the large bulk of his shark hunting at Cape Lookout, N.C., between roughly 1900 and 1925.
Another lesson that I learned from Mike Alford and Earl Wynn Jr.'s research is this: fishermen used their shad boats for a great deal more than catching shad. In the words of Roanoke Island's old timers, they also did a whole lot of “proggin.”
Today in the 6th part of my special series, "The Story of Shad Boats," I just want to share a rough sketch of a shad boat’s interior arrangement that Earl Willis, Jr. drew in the 1980s, based on what Roanoke Island's old timers taught him about the boats.
In this 5th part of my series "The Story of Shad Boats," I am looking at one of the most groundbreaking parts of Earl Willis’s and Mike Alford's research on shad boats—Earl's compilation of a detailed registry of shad boats and shad boat builders-- and exploring what it says about where shad boats were built and used.
Today I’m excited to start a special series called "The Story of Shad Boats." Over a dozen posts, I'll be exploring Earl Willis, Jr. and Mike Alford's extraordinary research on the origins, construction and history of those legendary traditional workboats that once graced North Carolina's coastal waters.
Today-- the conclusion to my special series '`The Shrimp Capital of the World'-- Charles Farrell's Photographs of Southport, N.C., 1938" Charles Farrell’s photographs chronicled Southport’s shrimp industry in its heyday, but those days did not last forever. In fact, they came to an end suddenly, on the 15th of October 1954. On that autumn day, … Continue reading Hurricane Hazel: “Nothing left but piling”
A shrimp house in the 1930s was its own world. When the toil wasn't too wearing, some were almost festive. On some nights, in some shrimp houses, the women sang gospel hymns and popular songs to pass the time and to find the strength to keep going.
In those days many a shrimper led an itinerant life. When the season ended in Southport, they headed south to shrimp out of Fernandina Beach, St. Augustine, Key West, Everglades City, Punta Gorda and half a dozen other Florida fishing communities, often coming home on Christmas Eve with their arms full of gifts for their wives and sweethearts and children.
More than two decades ago, I interviewed Capt. Leslie Day’s brother, Gordon Day, for a research project on the Second World War. We mostly talked about the war, but he also had a great story about how the family earned enough money to build their shrimp boat, the Empress, in 1930.
This is Benjamin Howard Day, Capt. Leslie Day’s father, with his hand on the wheel of the shrimp trawler Empress in the fall of 1938. You can't see them in Charles Farrell's photograph, but his son and the mate are wrestling the trawl aboard on the other side of the boat. The three men made up the crew of the Empress while she was shrimping in Southport.
In the 1930s, coming to Southport was an autumn ritual for many of Carteret County’s shrimp crews: Capt. Leslie Day's drop-netter Empress was one of perhaps 50 or 60 boats that stayed in Southport for the fall shrimping season.
While documenting Southport's shrimp industry in 1938, Charles Farrell also visited Crattie Arnold. Crippled by spinal meningitis, Arnold had both of his legs amputated when he was 7 years old but still became a legendary fisherman and boat builder.
Part 4 of my series "The Shrimp Capital of the World"-- Today, the rise of Southport’s shrimp industry, Italian shrimpers and the days when most coastal North Carolinians were more likely to fertilize their gardens with shrimp than to sell or eat them!
Today-- part 3 of my series "`The Shrimp Capital of the World:' Charles Farrell's Photographs of Southport, N.C., 1938"
In today’s post I'm introducing a 10-part series looking at Charles A. Farrell’s historical photographs of shrimpers and shrimp house workers in Southport, a village at the mouth of the Cape Fear River, in Brunswick County, N.C. As a local woman named Leila Pigott told me years ago, “Southport used to be known as the shrimp capital of the world.”
In this photograph (above), we see the blackfish boat Margaret at an unidentified port probably in southern New Jersey in 1934. Standing in the bow is Capt. Einar Neilsen, a Norwegian immigrant. Capt. Neilsen was part of a largely forgotten enclave of Norwegian, Swedish and Dutch blackfish fishermen and their families that left New Jersey and made their homes in Beaufort, N.C., beginning in the 1910s.
This is a portrait of an African American fisherman and saltwater farmer named Proctor Davis. He was born a slave on Davis Island, in the Down East part of Carteret County, N.C., ca. 1839. He escaped from slavery during the Civil War, but he and his family returned after the war and made a new home at Davis Ridge, a marshy hammock just north of Davis Island.
Chef Ricky Moore's new cookbook is out and I think he's written the finest seafood cookbook you’ve ever seen and probably ever will see if you’re like me and love the flavors of the North Carolina coast.
Today I’m looking at several historical photographs of fishermen, fishing boats and fishing gear on the Roanoke River. The photographs mostly date to the period from 1870 to 1910, though one that I'm especially fond of was taken in the late 1930s. That was an exciting period in the history of the river's fisheries. If you had launched a boat in Weldon, at the falls of the river, and drifted down those swift waters all the way to the river's mouth on the Albemarle Sound, you would have seen many fishermen and many different kinds of fishing gear, including weirs, bow nets, stake nets, drift nets, wheels, seines and slides.
In 1895 a young mother sang this lullaby to her children while she nursed them at a church in Kinnakeet, a village on the Outer Banks. The rest of the congregation was singing “Come Thou Fount of Many Blessings,” but she must have stepped into the back of the church to soothe her two little ones. It’s not the kind of moment that usually makes it into history books.
Earlier this week, I wrote about the historic use of oyster shells for constructing roads on the North Carolina coast. But coastal people didn’t only use oyster shells for road building. Particularly before the Civil War, they also used oyster shells as an important source of lime. Burnt down in kilns, an incredible tonnage of oyster shells was used in making cement, mortar, bricks, wall plaster and whitewash.
On at least two trips to the North Carolina coast, a Greensboro photographer named Charles A. Farrell took photographs of the fishing villages near the mouth of the New River, in Onslow County. His first trip was in the fall of 1938, and he visited again sometime in the first half of 1941. On the first trip, he may only have visited Sneads Ferry, a fishing village on the west side of the river.
In this photograph, we see a trio of fishermen carrying bags of cornmeal to the landing at Marines, a village in Onslow County, N.C., circa 1937. Behind them we can see the New River and gill nets drying on spreads. To the left, we can see a dory and the old oak that marked the landing. At least two of the men are part of the Midgett family. They came across the river from Sneads Ferry, a village on the west side of the river, and they are headed home.