Annie Hooper’s Vision: From Hatteras Island to the Smithsonian

I found Annie Hooper’s masterpiece in a warehouse in a small town in eastern North Carolina: thousands of hauntingly beautiful Biblical figures made out of driftwood, seashells, putty and plaster. All of them are part of large, elaborate scenes depicting stories from the Old and New Testaments. I had been hoping to see them for decades, and when I finally found them, they were together for probably the last time.

The Town Where Moby-Dick Began

On yet another trip to New Bedford, Mass., I crossed the Fish Island Bridge and explored Fairhaven. It’s a lovely town, with broad, shady avenues and a long row of shipyards and fishing wharves along the Acushnet River. In 1841 Herman Melville sailed from the old seaport on the whale ship Acushnet. He later drew on his experiences during that voyage to write his masterpiece Moby-Dick. 

The Birth of N.C.’s Coastal Wildlife Refuges

At the Denver Public Library's Western History Collection, I also found an even more surprising set of documents bearing on the history of the North Carolina coast— a collection of letters and maps from the 1930s that provide insight into the origins of some of our most beloved coastal wildlife refuges. I found them in a collection of papers that had belonged to John Clark Salyers, a U.S. Dept. of Agriculture biologist who is remembered as “the father of the national wildlife refuge system.”