As I wrap up "The Story of Shad Boats," I can’t help reflecting on how lucky we are to have Earl Willis, Jr. and Mike Alford to help us to appreciate these extraordinary workboats and their history .
Today in part 11 of my special series "The Story of Shad Boats," I'm exploring the life of Capt. Nal Midyette, the man that one Hatteras fisherman called "the champion shad boat builder."
Another lesson that I learned from Mike Alford and Earl Wynn Jr.'s research is this: fishermen used their shad boats for a great deal more than catching shad. In the words of Roanoke Island's old timers, they also did a whole lot of “proggin.”
In Part 9 of my special series "The Story of Shad Boats," I'm looking at the shad boat's sails and rigging-- everything from its lovely spritsail sailing rig to its "goose wing" that was unique among small watercraft anywhere in the U.S.
In this photograph we see the Dough family’s boatyard on the north end of Roanoke Island, ca. 1930. A shad boat is being “framed up.” One of master boat builder Otis Dough’s sons, probably Worden Dough, is working on a spar. All three of his sons—Worden, Horace and Lee—built shad boats.
When talking with Earl Wynn, Jr. and Mike Alford, Roanoke Islander Wynne Dough remembered that he, his father and his brothers went into the swamps along Mill Tail Creek, on the mainland of Dare County, in search of the juniper knees that were a crucial part of building shad boats.
Today in the 6th part of my special series, "The Story of Shad Boats," I just want to share a rough sketch of a shad boat’s interior arrangement that Earl Willis, Jr. drew in the 1980s, based on what Roanoke Island's old timers taught him about the boats.
In this 5th part of my series "The Story of Shad Boats," I am looking at one of the most groundbreaking parts of Earl Willis’s and Mike Alford's research on shad boats—Earl's compilation of a detailed registry of shad boats and shad boat builders-- and exploring what it says about where shad boats were built and used.
This is the 4th part of my special series "The Story of Shad Boats." The series features Earl Willis, Jr. and Mike Alford's extraordinary journey to document the history of North Carolina's "state boat"-- today we meet George Washington Creef, the man that built the first shad boat.
This is the 3rd part of my special series "The Story of Shad Boats." The series features Earl Willis, Jr. and Mike Alford's extraordinary journey to document the history of North Carolina's "state boat"-- a boat that is a remarkable window into a time, a place and a people.
This is the 2nd part of my special series "The Story of Shad Boats." The series features Earl Willis, Jr. and Mike Alford's extraordinary journey to document the history of North Carolina's "state boat"-- a boat that is a remarkable window into a time, a place and a people.
Today I’m excited to start a special series called "The Story of Shad Boats." Over a dozen posts, I'll be exploring Earl Willis, Jr. and Mike Alford's extraordinary research on the origins, construction and history of those legendary traditional workboats that once graced North Carolina's coastal waters.
The other day Ed Pond in Davis Shore got in touch with me. Ed grew up there in the 1940s and ‘50s and my recent series on the history of Southport’s shrimping industry had set him to remembering.
More than two decades ago, I interviewed Capt. Leslie Day’s brother, Gordon Day, for a research project on the Second World War. We mostly talked about the war, but he also had a great story about how the family earned enough money to build their shrimp boat, the Empress, in 1930.
In this photograph (above), we see the blackfish boat Margaret at an unidentified port probably in southern New Jersey in 1934. Standing in the bow is Capt. Einar Neilsen, a Norwegian immigrant. Capt. Neilsen was part of a largely forgotten enclave of Norwegian, Swedish and Dutch blackfish fishermen and their families that left New Jersey and made their homes in Beaufort, N.C., beginning in the 1910s.
The Penobscot Marine Museum in Searsport, Maine, has recently made available more than 20,000 photographs of America's commercial fishing industry that originally appeared in the pages of National Fisherman. Last week I highlighted several of the magazine's photos from Beaufort, N.C., in the 1930s and '40s. Today I want to share photographs that take us to Hatteras, Buxton, Harkers Island, Wanchese, Belhaven, Rockyhock and several other parts of the North Carolina coast.
The Penobscot Marine Museum in Searsport, Maine, has recently made available for the first time more than 20,000 historical photographs from America's fishing communities, including those here on the North Carolina coast. It is an extraordinary collection: the photographs from every issue of the National Fisherman, the leading trade journal of the commercial fishing industry.
A second connection between Maine’s shipyards and the North Carolina coast is grimmer: quite a few ships built in Maine came to their end in the waters off the North Carolina coast-- "The Graveyard of the Atlantic."
This is a portrait of an African American fisherman and saltwater farmer named Proctor Davis. He was born a slave on Davis Island, in the Down East part of Carteret County, N.C., ca. 1839. He escaped from slavery during the Civil War, but he and his family returned after the war and made a new home at Davis Ridge, a marshy hammock just north of Davis Island.
I recently stumbled onto a New York reporter’s account of a journey to Cape Hatteras in 1890. He made the trip in a remarkable sailing vessel called a kunner and the captain was J. Clifford Bowser, a member of a legendary African American family of fishermen, sailors, pilots and surfmen from Roanoke Island, N.C.
This is the last of the 7-part series I’m doing this week based on an extraordinary collection of glass lantern slides that a teacher named Linda Garey shared with me. Her great-grandfather, Rear Admiral Albert Ross, took the images on a trip down the Albemarle and Chesapeake Canal in 1901.
In our next glass lantern slide, we can see Commander Albert Ross’s lighthouse tender Violet at the Albemarle and Chesapeake (A&C) Canal’s lock in Great Bridge, Virginia. This was the only lock on the canal and served to compensate for the different water levels in the canal and the Elizabeth River caused by the canal's wind tides and the river's lunar tides.
This is part 3 of a series I’m doing this week based on an extraordinary collection of glass lantern slides that a teacher named Linda Garey shared with me. Her great-grandfather, Rear Admiral Albert Ross, took the images on a trip down the Albemarle and Chesapeake Canal in 1901.
Several years ago I gave a lecture at an NEH-funded teachers workshop in New Bedford, Mass. The teachers came from all over the U.S. and one of them, Linda Garey, who teaches in California, later shared with me a group of remarkable Magic Glass lantern slides of a part of the North Carolina coast that is little known to most people: the Albemarle and Chesapeake Canal.
The stern paddle wheel steamer Tarboro on the Tar River, probably during her maiden voyage in 1898. She is coming into the town of Tarboro, in Edgecombe County, N.C., and a crowd waits at the town’s public dock to celebrate her launching. After calling at Tarboro, she will proceed on to Old Sparta, Greenville and, finally, Washington, N.C., a seaport 45 miles downriver. She is heavy with freight, almost certainly cotton or cottonseed.